Radical Stitch
National Gallery of Canada, Ottawa ON, 2024
Beading is one of the defining mediums of contemporary Indigenous art on this continent, and this landmark exhibition brings much-needed critical attention to the breadth and impact of this practice.
From early beads made of seeds and shells, to trade beads and computer pixels, Indigenous artists have long used beadwork to tell stories, honour loved ones, and celebrate beauty. As they embrace techniques and knowledge passed from previous generations, today’s Indigenous artists are using beading to address concerns and concepts related to history, decolonization and resistance.
Ranging from wearable art and portraiture, to installation and video, the works in Radical Stitch connect past and present, as they imagine new worlds. With humour, poignant testimony, and political and social commentary, this exciting exhibition examines the contemporary and transformative aspects of beading through the innovative works of artists and the tactile beauty of the medium.
Organized and circulated by the MacKenzie Art Gallery.
— from the National Gallery of Canada’s website
Dana Claxton "Headdress - Jeneen," 2018 LED firebox with transmounted chromogenic transparency, 152.4 × 101.6 cm Forge Project Collection, traditional lands of the Moh-He-Con-Nuck. Installation View of "Radical Stitch" National Gallery of Canada, Ottawa May 17, 2024 — September 30, 2024 © Dana Claxton Photo: NGC
Dana Claxton "Headdress - Jeneen," 2018 LED firebox with transmounted chromogenic transparency, 152.4 × 101.6 cm Forge Project Collection, traditional lands of the Moh-He-Con-Nuck. Installation View of "Radical Stitch" National Gallery of Canada, Ottawa May 17, 2024 — September 30, 2024 © Dana Claxton Photo: NGC