Stop(the Gap): International Indigenous Art
Curated by Brenda L. Croft
Samstag Museum, Adelaide Australia, 2011
Stop(the)Gap is a major international Indigenous moving image project, developed for the 2011 BigPond Adelaide Film Festival in partnership with the Samstag Museum of Art. Curator Brenda L. Croft brings together recent works by renowned Indigenous artists from Australia, Aotearoa/New Zealand, Canada and the USA, to challenge global preconceptions of contemporary international Indigenous expression. The exhibition at the Samstag Museum of Art is accompanied by a complementary program of moving image exhibitions, film screenings, outdoor projections and forums, presented across various Adelaide venues.
— From the Stop(the Gap): International Indigenous Art’s publication
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley
Installation view of "Rattle," at "Stop(the Gap): International Indigenous Art," Samstag Museum, Adelaide Australia, 2011. Photo: Mick Bradley